One of my many great faults is relying on eyes/vision too much. It’s an ongoing battle to expand my use of senses.
I am very pleased with the relationship I have with Chris Kennedy Publishing. Their contract is very clear and fair for participating in an anthology. I’m still thrilled that I had the opportunity to participate in one of their Four Horseman anthologies – “Luck is Not a Factor”.
I got involved in a conversation over on a friend’s social media this week. He’d referenced a memory, and commented that it had been 8 years since he’d been published in these anthologies, and he’d never seen any money from it. No upfront payments, no royalties, nothing. Now, it’s not that Jason Cordova is a bad writer. Far from it. And the man grinds at his work, he’s not lazing around waiting for something to hit big. But it rankled him that there had been big promises, brutally constrictive contracts and in the end… nothing. The conversation wandered from discussing, in veiled non-specifics, the publishing company that had burned him, to talking about how to find anthologies that actually care about the writers involved.
I was asked to write about how to find non-predatory small presses, and I’m happy to give my small insight into this, but I also…
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Short stories have always been a challenge for me since they tend to be plot driven at the expense of character development. Still, I think it’s a skill worth developing if only to force myself to work tighter.
Image by 7854 on Pixabay
The short story, once the absolute heart of the sf writer’s career has long since dwindled off to become so irrelevant that many a successful author never writes one, and certainly many (me included) never sold one prior to selling a novel.
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I cannot believe I am actually typing these words. Volume Three of the Chronicles of Shadows – Exile’s Legacy – is finally freakin’ out! Yes, I am as stunned as you, good reader. In addition to the story itself, I redid the primary map and updated it to show that Teresland is no longer around and to show the area where Raven’s crazy forest is proliferating. There is a new map as well which depicts the Badlands where Croaking Wisdom’s people live and where the city-state of Uhtheim stands, home of the mysterious Dragon Queen. My maps still won’t be winning any beauty contests, but I do think they are much improved over the original.
Oh! You want to know where the actual book is, what it looks like and stuff. Well, okay, I guess I can help out in that area. Currently, only the ebook version is out. I expect the print version to go live around Wednesday (1/23/2019) after I have a chance to review the proof copy Amazon is sending me. You can check out Exile’s Legacy here (click image):
If you don’t mind, after you’ve read the book, please, please, leave a review. Reviews both good and bad provide legitimacy when potential new readers are considering whether to read a series. In theory, you can leave a review using this link: Leave a Review for “Exile’s Legacy”
Yet more good reasons to self-publish.
I’ve been pondering whether to write this post for the better part of a week. I’d been hearing rumbling from traditionally published authors about a contract clause that is as evil–their words and I agree–as the rights grabbing clauses that have become common in publishing contracts. But then, several days ago, an op-ed piece appeared in the NYT and I knew what I needed to write. The clause? A morality clause. Yes, you read that right. More and more traditional publishers are now including a morality clause in their contracts.
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I haven’t watched any of these videos yet, but I perused them and there are a ton of topics covered. There is bound to be at least one which will prove entertaining and maybe even informative.
LTUE – Life, The Universe, & Everything – is a symposium in Utah every February by writers for writers. Unlike Comic Cons where panels are likely to on costuming, and literary cons where the panels are by authors for readers, LTUE panels cover things like “writing action” and “balancing the books”, and “boring beginnings” and things like that.
And you don’t even have to go!
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Being a control freak, my desire to self-publish over traditional publishing has always been firmly in place. Amazing to live with the possibility of doing just that without having to resort to utilizing an expensive company to do all of that for you.
From time to time, I’m asked whether I think a writer should publish their book as an indie or try to go the traditional route. Depending on who it is, I might temper my response a little. By that, I mean I will tell them the decision is theirs to make. Then I ask them why they consider going the traditional route. Almost every time, the answer is the same: they want to get into bookstores. You know me. So you know my follow-up question is to ask them where the closest bookstore is, when the last time was they were in the store and how many books a year do they buy from there. Almost always, you can see the lightbulb go off over their head as they consider the question.
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