MICE is Nice: Character Stories

I think my stuff is definitely character driven. I cannot claim to have had anyone speak to me from my backseat before,though. And I must also admit, that in general, I am too absorbed in whatever I’m doing to notice people around me enough to consider giving them stories. I’m more likely to get ideas/characters from stories. I once developed a character, and an entire book, around the Fleetwood Mac song, “Rhiannon”.

Mad Genius Club

Character stories seem to be some of the easiest for me to write, at least until the characters flip me the Hawaiian Peace Sign and head off into parts unknown-to-author.

What is a character story? Oh boy, I’ve found three different definitions, and I don’t entirely agree with any of them. One, Orson Scot Card, says that character stories are driven by the character’s desire or need to change something about herself or her situation. An English textbook says it is any time an individual is the main plot driver, and an academic paper went so post-modern that I gave up trying to understand what the author meant once I got past “the main character is also the protagonist.”

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A rejection is an opinion, not a death sentence (part one)

Doing a workshop like this would a be both a nightmare and a dream come true. Reading about the experience takes away some of the uncertainty. Still, scary, is a word I think aptly applies. Doesn’t mean I wouldn’t do it in a heartbeat if the time, money and opportunity presented itself. What’s a challenge without a little scary to help with the motivation?

Me, as writer

“The trouble with most of us is that we would rather be ruined by praise than saved by criticism.” – Norman Vincent Peale

One-point-two million words.

Two-hundred-and-seventy stories.

Six editors.

Why sign up to write six stories in six weeks without knowing a single thing about what you were going to be asked to write? Well, one answer is, to see if I could do it. The other answer—the real answer—was that what I really, really, really, wanted was the feedback.

I went into this expecting to sell nothing. As a first-timer, I knew that the likelihood that any of my stories would make the buy pile was going to be extremely low. And I was fine with that. What I wanted was an insight into the editorial process of some real pros, people who have been doing this for decades.

When you want to learn, learn from the best.

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The Soft Sciences

This article had me at the silly kitty picture. The guy the image is based on only wishes he looked so cute.

Mad Genius Club

I would argue that to be a good writer, you need only to understand the human psyche. To be a great writer, you must delve more deeply into the interactions of humans, social and otherwise, than most people think possible. Not, necessarily, to psychoanalyze people – I have issues with psychology as a science, hence the title – but to truly understand what makes them tick, and to be able to predict what they will do faced with a given situation. Only that reaction isn’t going to be the same from person to person. One will freeze and be unable to react when the sound of gunfire rings out. Others will run toward it, knowing lives are at stake and even if they must lay down their life, they must respond in times of crisis. As a writer, one of these is the hero, the other the forlorn sidekick –…

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