Most indie authors have rolled, with relative ease, into hiring content editors and even copyeditors, (just don’t put either under “editor” on amazon. That editor tag on Amazon is for anthologies. You also shouldn’t put your cover artist under “illustrator.” Before I figured out that clueless authors were doing that, I passed up a bunch of books because I thought “An illustrated hard boiled mystery? Too weird for words.” That tag is there for actual illustrated books.)  or figuring our how to swap with other indies for these services (which amounts to hiring) or other more creative arrangements.

One stumbling block remains in most writers’ publication schedule: covers.

No, this is not a new version of two-finger-typing for those endowed like Cyrano de Bergerac. It is about adding a new layer of reality and depth to your setting and scene description, and about playing up the differences between characters.

I got involved in a conversation over on a friend’s social media this week. He’d referenced a memory, and commented that it had been 8 years since he’d been published in these anthologies, and he’d never seen any money from it. No upfront payments, no royalties, nothing. Now, it’s not that Jason Cordova is a bad writer. Far from it. And the man grinds at his work, he’s not lazing around waiting for something to hit big. But it rankled him that there had been big promises, brutally constrictive contracts and in the end… nothing. The conversation wandered from discussing, in veiled non-specifics, the publishing company that had burned him, to talking about how to find anthologies that actually care about the writers involved.

I was asked to write about how to find non-predatory small presses, and I’m happy to give my small insight into this, but I also…

Image by 7854 on Pixabay

The short story, once the absolute heart of the sf writer’s career has long since dwindled off to become so irrelevant that many a successful author never writes one, and certainly many (me included) never sold one prior to selling a novel.

I’ve been pondering whether to write this post for the better part of a week. I’d been hearing rumbling from traditionally published authors about a contract clause that is as evil–their words and I agree–as the rights grabbing clauses that have become common in publishing contracts. But then, several days ago, an op-ed piece appeared in the NYT and I knew what I needed to write. The clause? A morality clause. Yes, you read that right. More and more traditional publishers are now including a morality clause in their contracts.

LTUE – Life, The Universe, & Everything – is a symposium in Utah every February by writers for writers. Unlike Comic Cons where panels are likely to on costuming, and literary cons where the panels are by authors for readers, LTUE panels cover things like “writing action” and “balancing the books”, and “boring beginnings” and things like that.

And you don’t even have to go!

From time to time, I’m asked whether I think a writer should publish their book as an indie or try to go the traditional route. Depending on who it is, I might temper my response a little. By that, I mean I will tell them the decision is theirs to make. Then I ask them why they consider going the traditional route. Almost every time, the answer is the same: they want to get into bookstores. You know me. So you know my follow-up question is to ask them where the closest bookstore is, when the last time was they were in the store and how many books a year do they buy from there. Almost always, you can see the lightbulb go off over their head as they consider the question. 

As you read this, I’m working toward being on the road again. We’re absconding for parts south, the littles and I. Just a few days, and eating turkey (I think we’ll be eating turkey. I’m not actually sure. I know I’ll be roasting brussels sprouts with bacon, and then mulling cranberries, for my contribution to The Meal.) So I’m writing yesterday, on some thoughts I had the night before, while listening to Matt Colville’s excellent Running The Game series of youtube videos on Dungeon Mastery. Specifically the video on playing evil player characters.